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An ancient writing system confounding myths about Africa

Penny Dale
Journalist
Women’s History Museum Zambia Samba Yonga from Women's History Museum of Zambia holds up a frame over her face showing a photograph of a sacred mask with Sona symbols etched on to its surface, each telling stories of women's significance, wisdom, and the vital knowledge they carried.Women’s History Museum Zambia
This sacred mask is etched with symbols of Sona, a sophisticated and now rarely used writing system

A wooden hunter’s toolbox inscribed with an ancient writing system from Zambia has been making waves on social media.

"We've grown up being told that Africans didn't know how to read and write," says Samba Yonga, one of the founders of the virtual Women's History Museum of Zambia.

"But we had our own way of writing and transmitting knowledge that has been completely side-lined and overlooked," she tells the BBC.

It was one of the artefacts that launched an online campaign to highlight women's roles in pre-colonial communities - and revive cultural heritages almost erased by colonialism.

Another intriguing object is an intricately decorated leather cloak not seen in Zambia for more than 100 years.

"The artefacts signify a history that matters - and a history that is largely unknown," says Yonga.

"Our relationship with our cultural heritage has been disrupted and obscured by the colonial experience.

"It's also shocking just how much the role of women has been deliberately removed."

Women’s History Museum Zambia Samba Yonga from Women's History Museum of Zambia holds up a frame showing a photo of a wooden hunters' toolbox inscribed with an ancient writing system. She has long braids, pink eyeshadow, red nail varnish on her nails and is wearing yellow, orange, black and blue African print dress. She is pictured against a purple and black African print design backdrop.Women’s History Museum Zambia
Samba Yonga holding the wooden hunters' toolbox in one of the beautifully photographed images posted on social media for the Frame project

But, says Yonga, "there's a resurgence, a need and a hunger to connect with our cultural heritage - and reclaim who we are, whether through fashion, music or academic studies".

"We had our own language of love, of beauty," she says. "We had ways that we took care of our health and our environment. We had prosperity, union, respect, intellect."

A total of 50 objects have been posted on social media - alongside information about their significance and purpose that shows that women were often at the heart of a society's belief systems and understanding of the natural world.

The images of the objects are presented inside a frame - playing on the idea that a surround can influence how you look at and perceive a picture. In the same way that British colonialism distorted Zambian histories - through the systematic silencing and destruction of local wisdom and practices.

The Frame project is using social media to push back against the still-common idea that African societies did not have their own knowledge systems.

The objects were mostly collected during the colonial era and kept in storage in museums all over the world, including Sweden - where the journey for this current social media project began in 2019.

Yonga was visiting the capital, Stockholm, and a friend suggested that she meet Michael Barrett, one of the curators of the National Museums of World Cultures in Sweden.

She did - and when he asked her what country she was from, Yonga was surprised to hear him say that the museum had a lot of Zambian artefacts.

"It really blew my mind, so I asked: 'How come a country that did not have a colonial past in Zambia had so many artefacts from Zambia in its collection"Eve Dulcie sits inside a in a rooftop restaurant with a skyline in the background. She smiles at the camera. She has blonde mid length hair, which is half pulled back from her face with her bangs loose in her face. " class="sc-d1200759-0 dvfjxj"/>

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